review in the Strad (01-09-2016 Janet Banks) 
" this poetic partnership””...
"Groeneveld plays the turbulent opening movement with passionate conviction and a full-bodied sound"....
"Groeneveld executes the delicately hovering spiccato notes in the Mendelssohnian scherzo with precision and grace.”....

review in Gramophone (March 2016 Charlotte Gardner)
“The real triumph, though, is the Lied. Here Groeneveld tones herself down to a tender softness, although retaining the Humoresque’s strength for the crescendos, and it’s hard to imagine this tiny gem singing more under another cellist’s fingertips.”
“Zemlinsky’s A minor Sonata brings more warm, predominantly smooth, expansive readings from Groeneveld, always in perfect communion with van der Laar, who for his part is generous with the pedal but never at the expense of definition.”

review in Classic News (25.12.2015 par Alban Deags)
“Superbe et somptueuse sensibilité artistique que celle de la violoncelliste Larissa Groeneveld qui signe ici un album d’une maturité filigranée, sertie d’intelligence et de profondeur sans effet ni diluation..."

Le Figaro, Pierre-Petit
Une découverte
‘Retenez bien ce nom, Larissa Groeneveld, il s'agit d'une jeune violoncelliste,à le beauté tendrement impérieuse. Cette merveilleuse artiste, a été incomparable de tenue de puissance intérieure,de tension magnifiquement contròlée, avec un sens inné de la vraie poésie.’

The New York Times, Paul Griffiths
‘It was here that Ms. Groeneveld's sonorous tone and firm phrasing was to be felt, and she was impressive again sounding the lament theme, making the odd intervals right and forceful.’ 

 
 
 
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Larissa Groeneveld proudly plays Thomastik- Infeld, VERSUM SOLO strings since 2018.

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