novemBER 2018

18-11-2018 Uithoorn, De Schutse, De Mérodelaan 1, time 14:30,
concert with the Osiris Trio
program: Joseph Haydn- Pianotrio Hob. XV/27
Oene van Geel- Achnaton ( 2013)
Bohuslav Martinů- Trio nr. 3 in C major, H. 332
Antonin Dvorak - piano trio opus 90, ‘Dumky’

27-11-2018 Scheveningen, Rogstraat, time 20:15
solo concert
program:
Johann Sebastian Bach Suite no. 3 in C major, BWV 1009
Max Reger- Suite no.3 a minor opus 131c (1915)
Pēteris Vasks- Das Buch (1986)
Gaspar Cassadó i Moreu- Suite for cello solo (1926)

DECemBER 2018

8-12-2018, Amsterdam, Noorderkerk, time 14:00
solo concert
program: Max Reger- Suite no.3 a minor opus 131c (1915)
Pēteris Vasks- Das Buch (1986)
Gaspar Cassadó i Moreu- Suite for cello solo (1926)

review in the Strad (01-09-2016 Janet Banks) 
" this poetic partnership””...
"Groeneveld plays the turbulent opening movement with passionate conviction and a full-bodied sound"....
"Groeneveld executes the delicately hovering spiccato notes in the Mendelssohnian scherzo with precision and grace.”....

review in Gramophone (March 2016 Charlotte Gardner)
“The real triumph, though, is the Lied. Here Groeneveld tones herself down to a tender softness, although retaining the Humoresque’s strength for the crescendos, and it’s hard to imagine this tiny gem singing more under another cellist’s fingertips.”
“Zemlinsky’s A minor Sonata brings more warm, predominantly smooth, expansive readings from Groeneveld, always in perfect communion with van der Laar, who for his part is generous with the pedal but never at the expense of definition.”

review in Classic News (25.12.2015 par Alban Deags)
“Superbe et somptueuse sensibilité artistique que celle de la violoncelliste Larissa Groeneveld qui signe ici un album d’une maturité filigranée, sertie d’intelligence et de profondeur sans effet ni diluation..."

Le Figaro, Pierre-Petit
Une découverte
‘Retenez bien ce nom, Larissa Groeneveld, il s'agit d'une jeune violoncelliste,à le beauté tendrement impérieuse. Cette merveilleuse artiste, a été incomparable de tenue de puissance intérieure,de tension magnifiquement contròlée, avec un sens inné de la vraie poésie.’

The New York Times, Paul Griffiths
‘It was here that Ms. Groeneveld's sonorous tone and firm phrasing was to be felt, and she was impressive again sounding the lament theme, making the odd intervals right and forceful.’ 

 
 
 
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Larissa Groeneveld is proud to be a Thomastik artist since 2018