7-10-2018 Kampen, Stadsgehoorzaal, time:15:30
concert with Ivo Janssen
Bach- Suite No.3 in C major, BWV 1009, Prelude, Sarabande
Jacob ter Veldhuis- Diverso il tempo, opus 51
Bach- Sonata no.2 D major, BWV 1028  
Anton Webern- 3 Kleine Stücke opus 11
Bach - Sonata no.1 G major, BWV 1027
Johann Sebastian Bach Toccata in e, BWV 914
Rodion Shchedrin-In the Style of Albéniz
Bach- Sonata no.3 g minor, BWV 1029 

13-10-2018 Den Haag, Zuiderstrand Theater, time 10:30
masterclass

14-10-2018 Oostvoorne, Cultureel Centrum De Man, time 11:30 concert with Osiris Trio
Ludwig von Beethoven - piano trio in B-flat major, opus 97 ‘Archduke’ trio
Oene van Geel- Achnaton ( 2013)
Antonin Dvorak - piano trio opus 90, ‘Dumky’

21 oktober 2018 Amsterdam, Janssenbeton,
Wittenburgergracht 18, time 16:00

concert with Ivo Janssen
Jacob ter Veldhuis- Diverso il tempo, opus 51
Bach- Sonata no.2 D major, BWV 1028  
Anton Webern- 3 Kleine Stücke opus 11
Bach - Sonata no.1 G major, BWV 1027
Sulkan Tsintsadze- piece for cello
Bach- Sonata no.3 g minor, BWV 1029 

25-10-2018 Amsterdam, Muziekgebouw aan het IJ, time 20:15
Cello Biennale: concert with Cello quartet Ferschtmann
program: world premiere of the cello quartet of Mathilde Wantenaar

27-10-2018 Oostzaan, Grote Kerk, time 20:00
concert with Osiris Trio
Ludwig von Beethoven - piano trio in B-flat major, opus 97 ‘Archduke’ trio
Ernest Bloch - Three Nocturnes (1924)
Antonin Dvorak - piano trio opus 90, ‘Dumky’

 

review in the Strad (01-09-2016 Janet Banks) 
" this poetic partnership””...
"Groeneveld plays the turbulent opening movement with passionate conviction and a full-bodied sound"....
"Groeneveld executes the delicately hovering spiccato notes in the Mendelssohnian scherzo with precision and grace.”....

review in Gramophone (March 2016 Charlotte Gardner)
“The real triumph, though, is the Lied. Here Groeneveld tones herself down to a tender softness, although retaining the Humoresque’s strength for the crescendos, and it’s hard to imagine this tiny gem singing more under another cellist’s fingertips.”
“Zemlinsky’s A minor Sonata brings more warm, predominantly smooth, expansive readings from Groeneveld, always in perfect communion with van der Laar, who for his part is generous with the pedal but never at the expense of definition.”

review in Classic News (25.12.2015 par Alban Deags)
“Superbe et somptueuse sensibilité artistique que celle de la violoncelliste Larissa Groeneveld qui signe ici un album d’une maturité filigranée, sertie d’intelligence et de profondeur sans effet ni diluation..."

Le Figaro, Pierre-Petit
Une découverte
‘Retenez bien ce nom, Larissa Groeneveld, il s'agit d'une jeune violoncelliste,à le beauté tendrement impérieuse. Cette merveilleuse artiste, a été incomparable de tenue de puissance intérieure,de tension magnifiquement contròlée, avec un sens inné de la vraie poésie.’

The New York Times, Paul Griffiths
‘It was here that Ms. Groeneveld's sonorous tone and firm phrasing was to be felt, and she was impressive again sounding the lament theme, making the odd intervals right and forceful.’ 

 
 
 
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Larissa Groeneveld is proud to be a Thomastik artist since 2018